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421: Marketing In The New Music Business Vol. 1
This will be the first in a multi-part series on how to navigate the waters of Music 2.0 using the limited financial resources available to a new band, indie or management company.

422: Contracts with Artists
When leaning how to start and run an independent record label, you are going to come across the business side and contracts.

423: Quality Country Music MP3s are Safe and Legal
It seems a lot of these sites are anything but legal and the downloads of MP3 files many people are getting are technically pirated.

424: Music Contracts & Royalties Defined
Artists often wonder how their royalties are going to be computed when they sign music contracts. This is truly an important question because basically determines how much money is going to end up in their pockets.

425: Recording Contracts and Your Rights
Your rights when it relates to recording contracts and the ones you are giving up are important to understand for any newly signed artist. This will be identified as your "Grant of Rights" clause in your new music contract.

426: Exploring Demo Deals
Demonstrational recording deals are not to be confused with actual recording contracts. These deals are made with either an investor or usually a record label itself. They can be considered a prerequisite to music contracts

427: Music Contracts 101: Two Key Parts
In relation to music contracts there are often two areas, the amount of produce and advancements, that artists need explained.

428: How Do I Get My Demo Heard?
Just how do I go about getting my demo heard? This is a famous question among aspiring musicians looking for a recording contract. Honestly, the bigger the label, the lesser your chances become of them listening to the demo you send them.

429: Self-Promotion for Recording Contracts
Is it truly harder to get a recording contract than ever before? Maybe it is because the music biz seems more about the business side rather than the music side these days.

430: What Does A&R Really Want?
So, you are looking for a killer music contract but you can't seem to figure out what A&R Reps really want.


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